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That's right!  "Somebody's Hero" by Australian country artist Jamie O'Neal is being featured just in time for the next hero holiday coming along at the end of this week... And yes!  It's the one for our pricelessly beautiful moms :-)

According to the back cover of the CD single, O'Neal said, "I had been saying to all my co-writers, 'I really want to write about family. I really want to write about my little girl.' The thing for me was, when you have a baby you start thinking about your own relationship with your mother, and when you were little, how much you looked up to her. Then you move to, 'Gosh, my baby looks up to me so much. I don't want to let her down. I want to be a hero to her.' Then you start thinking it's not just your mother, but about the other generations of women. My grandmother - I was close to her before she passed away - I think this song is a real tribute to the women in my life."

"Somebody's Hero" peaked at #3 on the Hot Country Songs chart, giving O'Neal her sixth Top 40 country hit, and her third top ten hit.



Source: Whitburn, Joel (2008). Hot Country Songs 1944 to 2008. Record Research, Inc. p. 305.
 
 
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It's better to feel pain, than nothing at all
The opposite of love's indifference...


And the highway signs say we're close, 
But I don't read those things anymore
I never trusted my own eyes...

Keep your head up, keep your love
Keep your head up, my love 
Keep your head up, my love
Keep your head up, keep your love 



 
 
A hit success in the United States and abroad, "Breakaway" peaked at #6 on America's Billboard Hot 100 chart in 2004 and ranked within the top 10 for multiple European countries, including Australia, Hungary, Belgium, and the Netherlands.  Although the song was originally intended for Disney's film, The Princess Diaries 2: Royal Engagement, the lyrics also narrate Clarkson's journey as a girl growing up in a small town who follows her dream for self-improvement.  The universal message in "Breakaway" is one reason the song has been so popular across sooo many cultures, and if you're looking for some inspiration to make 2013 even better than the past... here it is!

 
 
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What if ribbons and bows didn't mean a thing
Would the song still survive without five golden rings
Would you still wanna kiss without misletoe
What would happen if God never let it snow
What would happen if Christmas carols told a lie
Tell me what would you find

You'd see that today holds something special
Something holy, not superficial
So here's to the birthday boy who saved our lives

                                                                          -Taylor Swift


 
 
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First featured in the 2004 Christmas film, The Polar Express, "Believe" is sung by world-renowned artist Josh Groban.  Written by Glen Ballard and Alan Silvestri, the lyrics are intended to encourage children to trust in the existence of Santa, yet they can be interpreted as a much deeper mystery as well: to reflect the joy of having faith in the true meaning of Christmas.


 
 
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By: Brian Mansfield - USA TODAY
Even though he helped write the song, Luke Laird says Carrie Underwood's Temporary Home took a while to sink in with him.

"I connected with that song, but it didn't hit me that hard when we wrote it," says Laird, who wrote the song with Carrie and Zac Maloy. "But the more I go back, I feel very fortunate that she would write it with me."

Laird, a Nashville-based songwriter, estimates he has written 20 to 25 tunes with Carrie, including singles Last Name and So Small, as well as four songs from the forthcoming Play On: the title track, Mama's SongUndo It and Temporary Home, which was released in fall 2009.

"She had the whole thing mapped out," Laird says. "She had the title, knew basically what she wanted each verse to say. She didn't have anything actually written down, but that made a huge difference. Most songs, even when I'm writing with other writers, we don't have them that mapped out, so we're just filling in the pieces. But she really knew what she wanted to say.  This song was really emotional for Carrie."


 
 
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Photo: TheSoundTracksToOurLives.com
Released in January 2012 by the Eli Young Band, "Even If It Breaks Your Heart" has sold 654,000 digital copies worldwide and is definitely worth a listen... or two  :-)



Song Lyrics

Way back on the radio dial
A fire got lit inside a bright eyed child
Every note just wrapped around his soul
From steel guitars to Memphis all the way to rock n roll
Ohh ohh
I can hear em playingI can hear the ringing of a beat up old guitar
Ohh ohh
I can hear em singing
Keep on dreaming even if it breaks your heart

Downtown is where I used to wonder
Old enough to get there but too young to get inside
So I would stand out on the sidewalk
Listen to the music playing every Friday night
Ohh ohh
I can hear em plain
I can hear the ringing of a beat up old guitar
Ohh ohh
I can hear em singing
Keep on dreaming even if it breaks your heart

Some dreams stay with you forever
Drag you round and bring you back to where you were
Some dreams keep on getting better
Gotta keep believing if you wanna know for sure

Ohh ohh
I can hear em plain
I can hear the ringing of a beat up old guitar
Ohh ohh
I can hear em singing
Keep on dreaming even if it breaks your heart(x2)
Keep on dreaming even if it breaks your heart

Oh oh oh
Keep on dreaming
Oh oh oh
Don't let it break your heart

 
 
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By: Caitlin R. King - Associated Press
NASHVILLE, Tenn. (AP) — "American Idol" did more than launch Carrie Underwood's career — it helped shape the picture-perfect image she has today.

In interviews and public appearances, she never has a hair out of place and always says the right things. She only recently decided it was safe to join Twitter, and if there's ever a controversial tweet from her account, assume it got hacked.

Her carefully crafted persona doesn't come from "American Idol" media training, but rather from what she feels were cringe-worthy moments during her winning run on the show in 2005 that stereotyped her as a naive "country girl."

"I'm glad I can present a polished version of myself when it counts. When I was on 'Idol,' I said some dumb stuff, and learned what that could do, and that stuff lives on," said the Oklahoma native. "It seemed like every single solitary stupid thing I said was aired and featured and replayed over and over and over again."

After that, the 29-year-old made a conscious effort to portray herself in public as what she calls a "somewhat intelligent person" who graduated from college.

Yet when recording her fourth album, "Blown Away," out Tuesday, Underwood allowed herself to be unguarded, and sometimes downright silly.

"When you go in to write, you have to be willing to sound stupid," said Underwood during a recent interview at the Grand Ole Opry, of which she is a member. "Before you have a chance to think about something, you blurt it out and it doesn't make any sense, and everybody gets a good laugh out of it. You can't be afraid to sound completely dumb when you go to write."

She's giving herself permission to be a little less concerned about her image these days as well. It has taken her multiplatinum, Grammy-winning success, as well as the confidence of co-writing six of her 14 No. 1 country singles, for her to get comfortable with letting her personality shine through in more than just her music.

"Blown Away" represents Underwood's continued growth as an artist. She co-wrote eight of the album's 14 tracks, a far cry from the one tune she penned on her debut album. The disc is also a diverse collection, both musically and thematically.

The title track pulsates with a dance beat over a storyline describing a girl who heads to a storm shelter, hoping a tornado will destroy her home and her drunk, abusive dad asleep upstairs. "One Way Ticket" sways with a reggae groove. "Cupid's Got A Shotgun," featuring Brad Paisley on guitar, introduces fans to her redneck side. And "Wine After Whiskey" is a heartbreaking break-up ballad that has a classic feel.

Grammy-winning songwriter Josh Kear, known for hits like Underwood's "Before He Cheats" and Lady Antebellum's "Need You Now," wrote four songs on "Blown Away." Three were penned with Underwood, including the foreboding "Two Black Cadillacs" about a wife and a mistress who conspire to get even with the man who betrayed them both.

Kear, who had never written with Underwood before this record, was thrilled with her as a collaborator. The day they wrote the quirky "Cupid's Got A Shotgun," Kear had suggested the title at the beginning of the session, and they had spent two to three hours working on another tune before getting stuck.

"Suddenly, she starts stomping her feet and clapping her hands and singing essentially what is now the melody for 'Cupid's Got A Shotgun.' She had somehow, while we were in the process of writing this other song, been mulling it over in her brain and came back to that title," he said.

Kear jumped right in, and they wrote the song in about 15 minutes.

"It was kind of goofy, and a lot of people don't get to see that loose, goofy side of her, and I think that is one of the reasons she was excited to get those songs is she gets to bring a side of herself that hasn't really always been out there," he said. "Hopefully now people will imagine that as part of who she is."

Country fans have seen Underwood's comedic side as co-host of the Country Music Association Awards with Paisley for the past four years. Executive producer Robert Deaton had worked with Underwood and saw another side of her behind the scenes, which is why he initially tapped her for the job.

"The more you know her, the more you like her," he said. "That outgoing personality, just funny, timing is perfect, witty. She's also incredibly intelligent and smart as well."

Deaton believes the CMA Awards gig has been very important to balancing out her career. During writing sessions for the show, he said Underwood is quick to make a joke even funnier or throw out an idea that is spot on. He says her quick-witted delivery on stage is "very much who she is."

"Her participation is so deep on many levels (of the show). On one hand, she can do comedy. On the other hand, she can also bring class and beauty to the broadcast," he said. "Then she can go out and do an unbelievable performance, so it's multi-layered of what she brings to the table."

While Underwood has brought more of her personality into play with "Blown Away," she is careful to point out its songs — many of which have a dark, edgier tone — are not a reflection of her personal life.

"When I think of my career and when I think of 'Carrie Underwood,' that has kind of taken on a life of its own. I feel like when I'm on stage, when I'm writing songs, singing songs, I'm in the studio, I'm shooting videos, I kind of get to become this character, and I can make that whatever I want to make that. I honestly in a lot of ways don't want to sing about my real life, because that's private," she said. "I'm pretty private about my personal life and my husband and our life together, and I think it's so wonderful I can separate the two. I get to be an actress. I get to play a character. I get to have fun and tell stories."

And she's apparently not a bad actress in real life. She jokes that she's "got everyone fooled" if they think she's flawless.

"My husband (NHL player Mike Fisher) calls me 'the queen of awkward moments.' If something can be said to make an awkward moment even worse, I'm going to say it," she said.

Copyright © 2012 The Associated Press. All rights reserved: http://www.google.com/hostednews /ap/article/ALeqM5jrviei-NHUAlA5n4cEl_O5sDhc_A?docId=b8b22668e23c4af99322fecc339dc48e.

 
 
By: Kristin Theros
Skillet knows that, sometimes, there are things you just can't express in speech... you need music. The hard rock turned Christian rock band has tackled many tough issue through moving, inspirational lyrics. Skillet targets younger listeners, and tries give them hope and tell them they're not alone in their struggles. Songs cover hard, but prominent problems, such as loneliness, suicide, depression...and even abortion. 

"Lucy," the 12th track off of the 2009 album Awake serves as an excellent testimony to the consequences of our culture of death, while offering hope for a conversion to a culture of life. The song recounts a true story of the grief experienced by a young couple who decided to abort their child. In the aftermath of the abortion, the couple received grief counseling, and were advised to treat the event like a death in the family (which it was). The couple held a funeral service for their unborn child, who they named Lucy. With poignant, raw lyrics that express the regret felt by countless couples who choose abortion ("Now that it's over, I just want to hold her. I'd give up all the world to see that little piece of heaven looking back at me"), this song acts as a testament to the magnitude of suffering caused by abortions. 

Yet, at the same time, Skillet draws our attention to the hope of conversion, and the promise of life and joy awaiting us in Heaven ("I'll see you in another life, in Heaven, where we never say goodbye"). Every time I hear this song, I tear up, and it reminds me to constantly pray for the conversions of all hearts and for the healing of families who have been destroyed by abortions. Yet, knowing this song exists, and is played at many Skillet concerts that entertain thousands of young fans, I'm given hope that our generation can continue to turn the tide and become a culture of life, joy, and happiness. 

Please give the song a listen, and if you like it, share it with your friends and family. This little-known song should be an anthem for our pro-life cause, and we should hope and pray that songs like this will never have to be written again.
 
 

Glee Cast - "
One Of Us" Lyrics:
If God had a name, what would it be
And would you call it to his face
If you were faced with him in all his glory
What would you ask if you had just one question

And yeah yeah God is great yeah yeah God is good
yeah yeah yeah yeah yeah

What if God was one of us
Just a slob like one of us
Just a stranger on the bus
Trying to make his way home

If God had a face what would it look like
And would you want to see
If seeing meant that you would have to believe
In things like heaven and in Jesus and the saints and all the prophets

And yeah yeah god is great yeah yeah god is good
yeah yeah yeah yeah yeah

What if God was one of us
Just a slob like one of us
Just a stranger on the bus
Trying to make his way home
He’s trying to make his way home
Back up to heaven all alone
Nobody calling on the phone
Except for the pope maybe in Rome

And yeah yeah God is great yeah yeah God is good
yeah yeah yeah yeah yeah

What if god was one of us
Just a slob like one of us
Just a stranger on the bus
Trying to make his way home
Just trying to make his way home
Like a holy rolling stone
Back up to heaven all alone
Just trying to make his way home
Nobody calling on the phone
Except for the pope maybe in Rome
-----------

A note about the song's origin:
Joan Osborne’s “One Of Us” was performed by Glee Cast on the third episode of the second season of American television series Glee, titled “Grilled Cheesus” (formerly “Faith”), which premiered on October 5, 2010.
The song was written by Eric Bazilian (of The Hooters) and originally released by Joan Osborne in March 1995 on the album “Relish.”

To find out more, visit: http://www.musicloversgroup.com/glee-cast-one-of-us-lyrics-and-video/.